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Jason Kay melds his longtime '70s fixations with '80s style synths on Dynamite, Jamiroquai’s first record since 2001's A Funk Odyssey. It's been a long time since the acid jazz/funk hit "Virtual Insanity" (1996's Traveling Without Moving, to be exact), and even though the band never became the huge hit machine they seemed destined to become, they've continued to put out solid work. Odyssey and 1999's Synkronized showed off Kay's dexterity with this material, mining urban dance grooves from a goldmine of Motown, Stevie Wonder and far-ranging disco and soul. Dynamite keeps going, constructing an exuberant club vibe out of R&B styles, but also borderline electro ("Electric Mistress"), jumpy Squeeze-style pop ("Black Devil Car") and soulful, smooth nostalgia ("Seven Days In Sunny June"). A would-be guilty pleasure, only without the guilt, Kay's musical obsessions combine with his burgeoning talent on Dynamite to create another winner. --Matthew Cooke